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DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005567-1868356800-1868364000@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-16/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
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DTSTART;TZID=America/New_York:20290317T100000
DTEND;TZID=America/New_York:20300330T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012383-1868436000-1901120400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-17/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTSTART;TZID=America/New_York:20290317T120000
DTEND;TZID=America/New_York:20290317T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005568-1868443200-1868450400@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-17/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
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DTSTART;TZID=America/New_York:20290318T100000
DTEND;TZID=America/New_York:20300331T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012384-1868522400-1901206800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-18/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTSTART;TZID=America/New_York:20290318T120000
DTEND;TZID=America/New_York:20290318T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005569-1868529600-1868536800@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-18/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
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DTSTART;TZID=America/New_York:20290319T100000
DTEND;TZID=America/New_York:20300401T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012385-1868608800-1901293200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-19/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290319T120000
DTEND;TZID=America/New_York:20290319T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005570-1868616000-1868623200@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-19/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290320T100000
DTEND;TZID=America/New_York:20300402T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012386-1868695200-1901379600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-20/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290320T120000
DTEND;TZID=America/New_York:20290320T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005571-1868702400-1868709600@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-20/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290321T100000
DTEND;TZID=America/New_York:20300403T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012387-1868781600-1901466000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-21/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290321T120000
DTEND;TZID=America/New_York:20290321T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005572-1868788800-1868796000@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-21/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290322T100000
DTEND;TZID=America/New_York:20300404T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012388-1868868000-1901552400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-22/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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END:VEVENT
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DTSTART;TZID=America/New_York:20290322T120000
DTEND;TZID=America/New_York:20290322T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005573-1868875200-1868882400@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-22/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290323T100000
DTEND;TZID=America/New_York:20300405T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012389-1868954400-1901638800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-23/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290323T120000
DTEND;TZID=America/New_York:20290323T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005574-1868961600-1868968800@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-23/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
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DTSTART;TZID=America/New_York:20290324T100000
DTEND;TZID=America/New_York:20300406T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012390-1869040800-1901725200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-24/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
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DTSTART;TZID=America/New_York:20290324T120000
DTEND;TZID=America/New_York:20290324T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005575-1869048000-1869055200@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-24/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290325T100000
DTEND;TZID=America/New_York:20300407T170000
DTSTAMP:20260610T145129
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012391-1869127200-1901811600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-25/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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DTSTART;TZID=America/New_York:20290325T120000
DTEND;TZID=America/New_York:20290325T140000
DTSTAMP:20260610T145129
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005576-1869134400-1869141600@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-25/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290326T100000
DTEND;TZID=America/New_York:20300408T170000
DTSTAMP:20260610T145130
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012392-1869213600-1901898000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-26/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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DTSTART;TZID=America/New_York:20290326T120000
DTEND;TZID=America/New_York:20290326T140000
DTSTAMP:20260610T145130
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005577-1869220800-1869228000@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-26/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290327T100000
DTEND;TZID=America/New_York:20300409T170000
DTSTAMP:20260610T145130
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012393-1869300000-1901984400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-27/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290327T120000
DTEND;TZID=America/New_York:20290327T140000
DTSTAMP:20260610T145130
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005578-1869307200-1869314400@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-27/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290328T100000
DTEND;TZID=America/New_York:20300410T170000
DTSTAMP:20260610T145130
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012394-1869386400-1902070800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-28/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTSTART;TZID=America/New_York:20290328T120000
DTEND;TZID=America/New_York:20290328T140000
DTSTAMP:20260610T145130
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005579-1869393600-1869400800@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-28/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
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DTSTART;TZID=America/New_York:20290329T100000
DTEND;TZID=America/New_York:20300411T170000
DTSTAMP:20260610T145130
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012395-1869472800-1902157200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-29/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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DTSTART;TZID=America/New_York:20290329T120000
DTEND;TZID=America/New_York:20290329T140000
DTSTAMP:20260610T145130
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005580-1869480000-1869487200@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-29/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
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DTSTART;TZID=America/New_York:20290330T100000
DTEND;TZID=America/New_York:20300412T170000
DTSTAMP:20260610T145130
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012396-1869559200-1902243600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-30/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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DTSTART;TZID=America/New_York:20290330T120000
DTEND;TZID=America/New_York:20290330T140000
DTSTAMP:20260610T145130
CREATED:20260213T155106Z
LAST-MODIFIED:20260213T155106Z
UID:10005581-1869566400-1869573600@massachusetts250.org
SUMMARY:AudaTours Stoneham Audio Tour: Timeless Tales of Historic Pride and Heritage
DESCRIPTION:In Stoneham\, the shadows of colonial fires and twentieth-century neon flicker side by side. Few realize how many secrets linger behind these iconic facades. \nThis self-guided audio tour leads straight through the city’s untold stories. Encounter corners and chapters that even locals walk past\, and let carefully crafted tales reveal what hides beneath the ordinary. \nWhy did a quiet night at the Bernard Cogan House erupt into controversy that changed a neighborhood? Who vanished beneath the glowing beacon of Stoneham’s eerily beautiful gas station? What explains the perfectly preserved pencil marks under the Warren Sweetser House staircase? \nMove between centuries as you cross storied main streets and hidden lanes. Each step peels back another layer of rebellion\, ambition\, and intrigue\, letting Stoneham rise up around you as never before. \nTap play and see how deep Stoneham’s shadows can stretch. The secrets are waiting.
URL:https://massachusetts250.org/event/audatours-stoneham-audio-tour-timeless-tales-of-historic-pride-and-heritage/2029-03-30/
LOCATION:Nobility Hill Historic District\, Stoneham\, Massachusetts\, 02180\, United States
CATEGORIES:Outdoors
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/02/potential-tours_p-14322-0_actionShot_image_1536.jpeg
ORGANIZER;CN="AudaTours":MAILTO:hi@audatours.com
GEO:42.4766331;-71.0913748
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DTSTART;TZID=America/New_York:20290331T100000
DTEND;TZID=America/New_York:20300413T170000
DTSTAMP:20260610T145130
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012397-1869645600-1902330000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2029-03-31/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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