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SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-07/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTEND;TZID=America/New_York:20271121T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011523-1794132000-1826816400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-08/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTSTART;TZID=America/New_York:20261109T100000
DTEND;TZID=America/New_York:20271122T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011524-1794218400-1826902800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-09/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261110T100000
DTEND;TZID=America/New_York:20261110T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008114-1794304800-1794333600@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-10/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261110T100000
DTEND;TZID=America/New_York:20271123T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011525-1794304800-1826989200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-10/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261111T100000
DTEND;TZID=America/New_York:20261111T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008115-1794391200-1794420000@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-11/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261111T100000
DTEND;TZID=America/New_York:20271124T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011526-1794391200-1827075600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-11/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261112T100000
DTEND;TZID=America/New_York:20261112T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008116-1794477600-1794506400@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-12/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261112T100000
DTEND;TZID=America/New_York:20271125T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011527-1794477600-1827162000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-12/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T100000
DTEND;TZID=America/New_York:20261113T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008117-1794564000-1794592800@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-13/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
GEO:42.351814;-71.0752073
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T100000
DTEND;TZID=America/New_York:20271126T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011528-1794564000-1827248400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-13/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261114T100000
DTEND;TZID=America/New_York:20261114T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008118-1794650400-1794679200@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-14/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
GEO:42.351814;-71.0752073
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Family Heritage Experience Newbury Street 97 Boston Massachusetts 02116 United States;X-APPLE-RADIUS=500;X-TITLE=Newbury Street 97:geo:-71.0752073,42.351814
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261114T100000
DTEND;TZID=America/New_York:20271127T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011529-1794650400-1827334800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-14/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261115T100000
DTEND;TZID=America/New_York:20271128T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011530-1794736800-1827421200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-15/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261116T100000
DTEND;TZID=America/New_York:20271129T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011531-1794823200-1827507600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-16/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261117T100000
DTEND;TZID=America/New_York:20261117T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008119-1794909600-1794938400@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-17/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
GEO:42.351814;-71.0752073
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Family Heritage Experience Newbury Street 97 Boston Massachusetts 02116 United States;X-APPLE-RADIUS=500;X-TITLE=Newbury Street 97:geo:-71.0752073,42.351814
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261117T100000
DTEND;TZID=America/New_York:20271130T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011532-1794909600-1827594000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-17/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261118T100000
DTEND;TZID=America/New_York:20261118T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008120-1794996000-1795024800@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-18/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
GEO:42.351814;-71.0752073
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Family Heritage Experience Newbury Street 97 Boston Massachusetts 02116 United States;X-APPLE-RADIUS=500;X-TITLE=Newbury Street 97:geo:-71.0752073,42.351814
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261118T100000
DTEND;TZID=America/New_York:20271201T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011533-1794996000-1827680400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-18/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261119T100000
DTEND;TZID=America/New_York:20261119T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008121-1795082400-1795111200@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-19/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
GEO:42.351814;-71.0752073
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Family Heritage Experience Newbury Street 97 Boston Massachusetts 02116 United States;X-APPLE-RADIUS=500;X-TITLE=Newbury Street 97:geo:-71.0752073,42.351814
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261119T100000
DTEND;TZID=America/New_York:20271202T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011534-1795082400-1827766800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-19/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261120T100000
DTEND;TZID=America/New_York:20261120T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008122-1795168800-1795197600@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-20/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
GEO:42.351814;-71.0752073
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Family Heritage Experience Newbury Street 97 Boston Massachusetts 02116 United States;X-APPLE-RADIUS=500;X-TITLE=Newbury Street 97:geo:-71.0752073,42.351814
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261120T100000
DTEND;TZID=America/New_York:20271203T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011535-1795168800-1827853200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-20/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTSTART;TZID=America/New_York:20261121T100000
DTEND;TZID=America/New_York:20261121T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008123-1795255200-1795284000@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-21/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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DTSTART;TZID=America/New_York:20261121T100000
DTEND;TZID=America/New_York:20271204T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011536-1795255200-1827939600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-21/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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DTSTART;TZID=America/New_York:20261122T100000
DTEND;TZID=America/New_York:20271205T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011537-1795341600-1828026000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-22/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T100000
DTEND;TZID=America/New_York:20271206T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011538-1795428000-1828112400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-23/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTSTART;TZID=America/New_York:20261124T100000
DTEND;TZID=America/New_York:20261124T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008124-1795514400-1795543200@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-24/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261124T100000
DTEND;TZID=America/New_York:20271207T170000
DTSTAMP:20260619T031437
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011539-1795514400-1828198800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-11-24/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261125T100000
DTEND;TZID=America/New_York:20261125T180000
DTSTAMP:20260619T031437
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008125-1795600800-1795629600@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-11-25/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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