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DTSTART;TZID=America/New_York:20260827T130000
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SUMMARY:Salt and Survival: The Untold Story of the Revolution
DESCRIPTION:School lessons about the American Revolution often focus on the Boston Tea Party—but far fewer people learn about the importance of salt.\nCod fishing\, Cape Cod’s biggest industry\, relied on salt for preserving fish for export.  British blockades\,  designed to cripple coastal communities\, were preventing salt being imported. \nIn response\, colonists relied on the sun and their ingenuity. Captain John Sears of Dennis designed the first saltworks\, using solar evaporation to produce the salt essential for preserving fish and eliminating the dependance on imported goods. \nAt the Jericho Historical Center discover the history of the first saltworks\, explore a detailed model\, see a demonstration of solar evaporation\, and view photographs and early artifacts.  \nIn addition\, tour an historic full cape house built in 1801\, and occupied by the Baker family until 1955\, containing 19th century furnishings\, textiles\, paintings and keepsakes.  In the barn\, tools and equipment from the 1800s are displayed\, as well as a carriage that raced at Riverside Trotting Park. The General Store is a reminder of the important role such gathering places played in the community’s economic and social life. Of special interest is the cranberry exhibit which tells the 200-year-old story of cranberry cultivation; an industry that began in Dennis in 1816!
URL:https://massachusetts250.org/event/salt-and-survival-the-untold-story-of-the-revolution/2026-08-27/
LOCATION:Jericho Historical Center\, Old Main Street 90\, Dennis\, Massachusetts\, 02670\, United States
CATEGORIES:Event,Exhibit
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260828T100000
DTEND;TZID=America/New_York:20270910T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
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SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-28/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260828T110000
DTEND;TZID=America/New_York:20270102T140000
DTSTAMP:20260611T194618
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SUMMARY:Yarmouth in Revolution Exhibit : the Captain Bangs Hallet House Museum
DESCRIPTION:To mark the 250th Anniversary of the American Revolution\, the Captain Bangs Hallet House Museum will present a special exhibition during the summer of 2026.  “Yarmouth In Revolution” will look at what life was like for the townspeople living through the pivotal years of the American Revolution.  We will focus attention on their daily lives: how did political and military events effect them and how did they manage to live ‘normal’ lives during this tumultuous time?  What was life like in this village in the 1760s-1780s?  \nDrawn from the collections of the Historical Society of Old Yarmouth as well as private lenders\, the exhibit will showcase a select number of artifacts associated with Yarmouth’s experiences during the Revolutionary War period.  \nGuided tours are offered Thursday – Saturday at 11:00\, 12:00\, 1:00 and 2:00.
URL:https://massachusetts250.org/event/yarmouth-in-revolution-exhibit-the-captain-bangs-hallet-house-museum/2026-08-28/
LOCATION:Captain Bangs Hallet House & Museum\, Strawberry Lane 11\, Yarmouth\, Massachusetts\, 02675\, United States
CATEGORIES:Exhibit
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260829T100000
DTEND;TZID=America/New_York:20270911T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011452-1787997600-1820682000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-29/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTSTART;TZID=America/New_York:20260829T110000
DTEND;TZID=America/New_York:20270103T140000
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LAST-MODIFIED:20260518T200243Z
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SUMMARY:Yarmouth in Revolution Exhibit : the Captain Bangs Hallet House Museum
DESCRIPTION:To mark the 250th Anniversary of the American Revolution\, the Captain Bangs Hallet House Museum will present a special exhibition during the summer of 2026.  “Yarmouth In Revolution” will look at what life was like for the townspeople living through the pivotal years of the American Revolution.  We will focus attention on their daily lives: how did political and military events effect them and how did they manage to live ‘normal’ lives during this tumultuous time?  What was life like in this village in the 1760s-1780s?  \nDrawn from the collections of the Historical Society of Old Yarmouth as well as private lenders\, the exhibit will showcase a select number of artifacts associated with Yarmouth’s experiences during the Revolutionary War period.  \nGuided tours are offered Thursday – Saturday at 11:00\, 12:00\, 1:00 and 2:00.
URL:https://massachusetts250.org/event/yarmouth-in-revolution-exhibit-the-captain-bangs-hallet-house-museum/2026-08-29/
LOCATION:Captain Bangs Hallet House & Museum\, Strawberry Lane 11\, Yarmouth\, Massachusetts\, 02675\, United States
CATEGORIES:Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260830T100000
DTEND;TZID=America/New_York:20270912T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
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SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-30/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260831T100000
DTEND;TZID=America/New_York:20270913T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011454-1788170400-1820854800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-31/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260901T100000
DTEND;TZID=America/New_York:20270914T170000
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CREATED:20260601T210551Z
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SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-01/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260902T100000
DTEND;TZID=America/New_York:20270915T170000
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CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011456-1788343200-1821027600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-02/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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DTSTART;TZID=America/New_York:20260903T100000
DTEND;TZID=America/New_York:20270916T170000
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SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-03/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260903T110000
DTEND;TZID=America/New_York:20270108T140000
DTSTAMP:20260611T194618
CREATED:20260518T200243Z
LAST-MODIFIED:20260518T200243Z
UID:10010691-1788433200-1799416800@massachusetts250.org
SUMMARY:Yarmouth in Revolution Exhibit : the Captain Bangs Hallet House Museum
DESCRIPTION:To mark the 250th Anniversary of the American Revolution\, the Captain Bangs Hallet House Museum will present a special exhibition during the summer of 2026.  “Yarmouth In Revolution” will look at what life was like for the townspeople living through the pivotal years of the American Revolution.  We will focus attention on their daily lives: how did political and military events effect them and how did they manage to live ‘normal’ lives during this tumultuous time?  What was life like in this village in the 1760s-1780s?  \nDrawn from the collections of the Historical Society of Old Yarmouth as well as private lenders\, the exhibit will showcase a select number of artifacts associated with Yarmouth’s experiences during the Revolutionary War period.  \nGuided tours are offered Thursday – Saturday at 11:00\, 12:00\, 1:00 and 2:00.
URL:https://massachusetts250.org/event/yarmouth-in-revolution-exhibit-the-captain-bangs-hallet-house-museum/2026-09-03/
LOCATION:Captain Bangs Hallet House & Museum\, Strawberry Lane 11\, Yarmouth\, Massachusetts\, 02675\, United States
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/png:https://massachusetts250.org/wp-content/uploads/2026/05/BHH-Reopening-for-Mott250-Instagram-version-1544-x-600-px.png
ORGANIZER;CN="The Historical Society of Old Yarmouth":MAILTO:info@hsoy.org
GEO:41.7048701;-70.2432182
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Captain Bangs Hallet House & Museum Strawberry Lane 11 Yarmouth Massachusetts 02675 United States;X-APPLE-RADIUS=500;X-TITLE=Strawberry Lane 11:geo:-70.2432182,41.7048701
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260903T130000
DTEND;TZID=America/New_York:20261024T160000
DTSTAMP:20260611T194618
CREATED:20260601T144149Z
LAST-MODIFIED:20260601T144149Z
UID:10011317-1788440400-1792857600@massachusetts250.org
SUMMARY:Salt and Survival: The Untold Story of the Revolution
DESCRIPTION:School lessons about the American Revolution often focus on the Boston Tea Party—but far fewer people learn about the importance of salt.\nCod fishing\, Cape Cod’s biggest industry\, relied on salt for preserving fish for export.  British blockades\,  designed to cripple coastal communities\, were preventing salt being imported. \nIn response\, colonists relied on the sun and their ingenuity. Captain John Sears of Dennis designed the first saltworks\, using solar evaporation to produce the salt essential for preserving fish and eliminating the dependance on imported goods. \nAt the Jericho Historical Center discover the history of the first saltworks\, explore a detailed model\, see a demonstration of solar evaporation\, and view photographs and early artifacts.  \nIn addition\, tour an historic full cape house built in 1801\, and occupied by the Baker family until 1955\, containing 19th century furnishings\, textiles\, paintings and keepsakes.  In the barn\, tools and equipment from the 1800s are displayed\, as well as a carriage that raced at Riverside Trotting Park. The General Store is a reminder of the important role such gathering places played in the community’s economic and social life. Of special interest is the cranberry exhibit which tells the 200-year-old story of cranberry cultivation; an industry that began in Dennis in 1816!
URL:https://massachusetts250.org/event/salt-and-survival-the-untold-story-of-the-revolution/2026-09-03/
LOCATION:Jericho Historical Center\, Old Main Street 90\, Dennis\, Massachusetts\, 02670\, United States
CATEGORIES:Event,Exhibit
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GEO:41.6696609;-70.1549902
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jericho Historical Center Old Main Street 90 Dennis Massachusetts 02670 United States;X-APPLE-RADIUS=500;X-TITLE=Old Main Street 90:geo:-70.1549902,41.6696609
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260904T100000
DTEND;TZID=America/New_York:20270917T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011458-1788516000-1821200400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-04/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260904T110000
DTEND;TZID=America/New_York:20270109T140000
DTSTAMP:20260611T194618
CREATED:20260518T200243Z
LAST-MODIFIED:20260518T200243Z
UID:10010692-1788519600-1799503200@massachusetts250.org
SUMMARY:Yarmouth in Revolution Exhibit : the Captain Bangs Hallet House Museum
DESCRIPTION:To mark the 250th Anniversary of the American Revolution\, the Captain Bangs Hallet House Museum will present a special exhibition during the summer of 2026.  “Yarmouth In Revolution” will look at what life was like for the townspeople living through the pivotal years of the American Revolution.  We will focus attention on their daily lives: how did political and military events effect them and how did they manage to live ‘normal’ lives during this tumultuous time?  What was life like in this village in the 1760s-1780s?  \nDrawn from the collections of the Historical Society of Old Yarmouth as well as private lenders\, the exhibit will showcase a select number of artifacts associated with Yarmouth’s experiences during the Revolutionary War period.  \nGuided tours are offered Thursday – Saturday at 11:00\, 12:00\, 1:00 and 2:00.
URL:https://massachusetts250.org/event/yarmouth-in-revolution-exhibit-the-captain-bangs-hallet-house-museum/2026-09-04/
LOCATION:Captain Bangs Hallet House & Museum\, Strawberry Lane 11\, Yarmouth\, Massachusetts\, 02675\, United States
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/png:https://massachusetts250.org/wp-content/uploads/2026/05/BHH-Reopening-for-Mott250-Instagram-version-1544-x-600-px.png
ORGANIZER;CN="The Historical Society of Old Yarmouth":MAILTO:info@hsoy.org
GEO:41.7048701;-70.2432182
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Captain Bangs Hallet House & Museum Strawberry Lane 11 Yarmouth Massachusetts 02675 United States;X-APPLE-RADIUS=500;X-TITLE=Strawberry Lane 11:geo:-70.2432182,41.7048701
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260905T100000
DTEND;TZID=America/New_York:20270918T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011459-1788602400-1821286800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-05/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260905T110000
DTEND;TZID=America/New_York:20270110T140000
DTSTAMP:20260611T194618
CREATED:20260518T200243Z
LAST-MODIFIED:20260518T200243Z
UID:10010693-1788606000-1799589600@massachusetts250.org
SUMMARY:Yarmouth in Revolution Exhibit : the Captain Bangs Hallet House Museum
DESCRIPTION:To mark the 250th Anniversary of the American Revolution\, the Captain Bangs Hallet House Museum will present a special exhibition during the summer of 2026.  “Yarmouth In Revolution” will look at what life was like for the townspeople living through the pivotal years of the American Revolution.  We will focus attention on their daily lives: how did political and military events effect them and how did they manage to live ‘normal’ lives during this tumultuous time?  What was life like in this village in the 1760s-1780s?  \nDrawn from the collections of the Historical Society of Old Yarmouth as well as private lenders\, the exhibit will showcase a select number of artifacts associated with Yarmouth’s experiences during the Revolutionary War period.  \nGuided tours are offered Thursday – Saturday at 11:00\, 12:00\, 1:00 and 2:00.
URL:https://massachusetts250.org/event/yarmouth-in-revolution-exhibit-the-captain-bangs-hallet-house-museum/2026-09-05/
LOCATION:Captain Bangs Hallet House & Museum\, Strawberry Lane 11\, Yarmouth\, Massachusetts\, 02675\, United States
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/png:https://massachusetts250.org/wp-content/uploads/2026/05/BHH-Reopening-for-Mott250-Instagram-version-1544-x-600-px.png
ORGANIZER;CN="The Historical Society of Old Yarmouth":MAILTO:info@hsoy.org
GEO:41.7048701;-70.2432182
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Captain Bangs Hallet House & Museum Strawberry Lane 11 Yarmouth Massachusetts 02675 United States;X-APPLE-RADIUS=500;X-TITLE=Strawberry Lane 11:geo:-70.2432182,41.7048701
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260906T100000
DTEND;TZID=America/New_York:20270919T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011460-1788688800-1821373200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-06/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260907T100000
DTEND;TZID=America/New_York:20270920T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011461-1788775200-1821459600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-07/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260908T100000
DTEND;TZID=America/New_York:20270921T170000
DTSTAMP:20260611T194618
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011462-1788861600-1821546000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-08/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260909T100000
DTEND;TZID=America/New_York:20270922T170000
DTSTAMP:20260611T194619
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011463-1788948000-1821632400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-09/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260910T100000
DTEND;TZID=America/New_York:20270923T170000
DTSTAMP:20260611T194619
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011464-1789034400-1821718800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-10/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260910T110000
DTEND;TZID=America/New_York:20270115T140000
DTSTAMP:20260611T194619
CREATED:20260518T200243Z
LAST-MODIFIED:20260518T200243Z
UID:10010694-1789038000-1800021600@massachusetts250.org
SUMMARY:Yarmouth in Revolution Exhibit : the Captain Bangs Hallet House Museum
DESCRIPTION:To mark the 250th Anniversary of the American Revolution\, the Captain Bangs Hallet House Museum will present a special exhibition during the summer of 2026.  “Yarmouth In Revolution” will look at what life was like for the townspeople living through the pivotal years of the American Revolution.  We will focus attention on their daily lives: how did political and military events effect them and how did they manage to live ‘normal’ lives during this tumultuous time?  What was life like in this village in the 1760s-1780s?  \nDrawn from the collections of the Historical Society of Old Yarmouth as well as private lenders\, the exhibit will showcase a select number of artifacts associated with Yarmouth’s experiences during the Revolutionary War period.  \nGuided tours are offered Thursday – Saturday at 11:00\, 12:00\, 1:00 and 2:00.
URL:https://massachusetts250.org/event/yarmouth-in-revolution-exhibit-the-captain-bangs-hallet-house-museum/2026-09-10/
LOCATION:Captain Bangs Hallet House & Museum\, Strawberry Lane 11\, Yarmouth\, Massachusetts\, 02675\, United States
CATEGORIES:Exhibit
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ORGANIZER;CN="The Historical Society of Old Yarmouth":MAILTO:info@hsoy.org
GEO:41.7048701;-70.2432182
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260910T130000
DTEND;TZID=America/New_York:20261031T160000
DTSTAMP:20260611T194619
CREATED:20260601T144149Z
LAST-MODIFIED:20260601T144149Z
UID:10011318-1789045200-1793462400@massachusetts250.org
SUMMARY:Salt and Survival: The Untold Story of the Revolution
DESCRIPTION:School lessons about the American Revolution often focus on the Boston Tea Party—but far fewer people learn about the importance of salt.\nCod fishing\, Cape Cod’s biggest industry\, relied on salt for preserving fish for export.  British blockades\,  designed to cripple coastal communities\, were preventing salt being imported. \nIn response\, colonists relied on the sun and their ingenuity. Captain John Sears of Dennis designed the first saltworks\, using solar evaporation to produce the salt essential for preserving fish and eliminating the dependance on imported goods. \nAt the Jericho Historical Center discover the history of the first saltworks\, explore a detailed model\, see a demonstration of solar evaporation\, and view photographs and early artifacts.  \nIn addition\, tour an historic full cape house built in 1801\, and occupied by the Baker family until 1955\, containing 19th century furnishings\, textiles\, paintings and keepsakes.  In the barn\, tools and equipment from the 1800s are displayed\, as well as a carriage that raced at Riverside Trotting Park. The General Store is a reminder of the important role such gathering places played in the community’s economic and social life. Of special interest is the cranberry exhibit which tells the 200-year-old story of cranberry cultivation; an industry that began in Dennis in 1816!
URL:https://massachusetts250.org/event/salt-and-survival-the-untold-story-of-the-revolution/2026-09-10/
LOCATION:Jericho Historical Center\, Old Main Street 90\, Dennis\, Massachusetts\, 02670\, United States
CATEGORIES:Event,Exhibit
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GEO:41.6696609;-70.1549902
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260911T100000
DTEND;TZID=America/New_York:20270924T170000
DTSTAMP:20260611T194619
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011465-1789120800-1821805200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-11/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260911T110000
DTEND;TZID=America/New_York:20270116T140000
DTSTAMP:20260611T194619
CREATED:20260518T200243Z
LAST-MODIFIED:20260518T200243Z
UID:10010695-1789124400-1800108000@massachusetts250.org
SUMMARY:Yarmouth in Revolution Exhibit : the Captain Bangs Hallet House Museum
DESCRIPTION:To mark the 250th Anniversary of the American Revolution\, the Captain Bangs Hallet House Museum will present a special exhibition during the summer of 2026.  “Yarmouth In Revolution” will look at what life was like for the townspeople living through the pivotal years of the American Revolution.  We will focus attention on their daily lives: how did political and military events effect them and how did they manage to live ‘normal’ lives during this tumultuous time?  What was life like in this village in the 1760s-1780s?  \nDrawn from the collections of the Historical Society of Old Yarmouth as well as private lenders\, the exhibit will showcase a select number of artifacts associated with Yarmouth’s experiences during the Revolutionary War period.  \nGuided tours are offered Thursday – Saturday at 11:00\, 12:00\, 1:00 and 2:00.
URL:https://massachusetts250.org/event/yarmouth-in-revolution-exhibit-the-captain-bangs-hallet-house-museum/2026-09-11/
LOCATION:Captain Bangs Hallet House & Museum\, Strawberry Lane 11\, Yarmouth\, Massachusetts\, 02675\, United States
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/png:https://massachusetts250.org/wp-content/uploads/2026/05/BHH-Reopening-for-Mott250-Instagram-version-1544-x-600-px.png
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GEO:41.7048701;-70.2432182
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260912T100000
DTEND;TZID=America/New_York:20270925T170000
DTSTAMP:20260611T194619
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011466-1789207200-1821891600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-12/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260912T110000
DTEND;TZID=America/New_York:20270117T140000
DTSTAMP:20260611T194619
CREATED:20260518T200243Z
LAST-MODIFIED:20260518T200243Z
UID:10010696-1789210800-1800194400@massachusetts250.org
SUMMARY:Yarmouth in Revolution Exhibit : the Captain Bangs Hallet House Museum
DESCRIPTION:To mark the 250th Anniversary of the American Revolution\, the Captain Bangs Hallet House Museum will present a special exhibition during the summer of 2026.  “Yarmouth In Revolution” will look at what life was like for the townspeople living through the pivotal years of the American Revolution.  We will focus attention on their daily lives: how did political and military events effect them and how did they manage to live ‘normal’ lives during this tumultuous time?  What was life like in this village in the 1760s-1780s?  \nDrawn from the collections of the Historical Society of Old Yarmouth as well as private lenders\, the exhibit will showcase a select number of artifacts associated with Yarmouth’s experiences during the Revolutionary War period.  \nGuided tours are offered Thursday – Saturday at 11:00\, 12:00\, 1:00 and 2:00.
URL:https://massachusetts250.org/event/yarmouth-in-revolution-exhibit-the-captain-bangs-hallet-house-museum/2026-09-12/
LOCATION:Captain Bangs Hallet House & Museum\, Strawberry Lane 11\, Yarmouth\, Massachusetts\, 02675\, United States
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/png:https://massachusetts250.org/wp-content/uploads/2026/05/BHH-Reopening-for-Mott250-Instagram-version-1544-x-600-px.png
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GEO:41.7048701;-70.2432182
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260913T100000
DTEND;TZID=America/New_York:20270926T170000
DTSTAMP:20260611T194619
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011467-1789293600-1821978000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-13/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260914T100000
DTEND;TZID=America/New_York:20270927T170000
DTSTAMP:20260611T194619
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011468-1789380000-1822064400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-14/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260915T100000
DTEND;TZID=America/New_York:20270928T170000
DTSTAMP:20260611T194619
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011469-1789466400-1822150800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-15/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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END:VCALENDAR