BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//MA250 - ECPv6.5.1.5//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://massachusetts250.org
X-WR-CALDESC:Events for MA250
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20280312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20281105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20290311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20291104T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280311T100000
DTEND;TZID=America/New_York:20290324T180000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012012-1836381600-1869069600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-11/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280312T100000
DTEND;TZID=America/New_York:20290325T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012013-1836468000-1869152400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-12/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280313T100000
DTEND;TZID=America/New_York:20290326T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012014-1836554400-1869238800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-13/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280314T100000
DTEND;TZID=America/New_York:20290327T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012015-1836640800-1869325200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-14/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280315T100000
DTEND;TZID=America/New_York:20290328T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012016-1836727200-1869411600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-15/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280316T100000
DTEND;TZID=America/New_York:20290329T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012017-1836813600-1869498000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-16/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280317T100000
DTEND;TZID=America/New_York:20290330T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012018-1836900000-1869584400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-17/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280318T100000
DTEND;TZID=America/New_York:20290331T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012019-1836986400-1869670800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-18/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280319T100000
DTEND;TZID=America/New_York:20290401T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012020-1837072800-1869757200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-19/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280320T100000
DTEND;TZID=America/New_York:20290402T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012021-1837159200-1869843600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-20/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280321T100000
DTEND;TZID=America/New_York:20290403T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012022-1837245600-1869930000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-21/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280322T100000
DTEND;TZID=America/New_York:20290404T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012023-1837332000-1870016400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-22/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280323T100000
DTEND;TZID=America/New_York:20290405T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012024-1837418400-1870102800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-23/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280324T100000
DTEND;TZID=America/New_York:20290406T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012025-1837504800-1870189200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-24/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280325T100000
DTEND;TZID=America/New_York:20290407T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012026-1837591200-1870275600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-25/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280326T100000
DTEND;TZID=America/New_York:20290408T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012027-1837677600-1870362000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-26/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280327T100000
DTEND;TZID=America/New_York:20290409T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012028-1837764000-1870448400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-27/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280328T100000
DTEND;TZID=America/New_York:20290410T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012029-1837850400-1870534800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-28/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280329T100000
DTEND;TZID=America/New_York:20290411T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012030-1837936800-1870621200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-29/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280330T100000
DTEND;TZID=America/New_York:20290412T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012031-1838023200-1870707600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-30/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280331T100000
DTEND;TZID=America/New_York:20290413T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012032-1838109600-1870794000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-03-31/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280401T100000
DTEND;TZID=America/New_York:20290414T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012033-1838196000-1870880400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-01/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280402T100000
DTEND;TZID=America/New_York:20290415T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012034-1838282400-1870966800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-02/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280403T100000
DTEND;TZID=America/New_York:20290416T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012035-1838368800-1871053200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-03/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280404T100000
DTEND;TZID=America/New_York:20290417T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012036-1838455200-1871139600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-04/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280405T100000
DTEND;TZID=America/New_York:20290418T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012037-1838541600-1871226000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-05/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280406T100000
DTEND;TZID=America/New_York:20290419T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012038-1838628000-1871312400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-06/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280407T100000
DTEND;TZID=America/New_York:20290420T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012039-1838714400-1871398800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-07/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280408T100000
DTEND;TZID=America/New_York:20290421T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012040-1838800800-1871485200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-08/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20280409T100000
DTEND;TZID=America/New_York:20290422T170000
DTSTAMP:20260610T155415
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10012041-1838887200-1871571600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2028-04-09/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
END:VCALENDAR