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DTSTART;TZID=America/New_York:20260821T100000
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DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008057-1787306400-1787335200@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-08-21/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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DTSTART;TZID=America/New_York:20260821T100000
DTEND;TZID=America/New_York:20270903T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011444-1787306400-1819990800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-21/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260822T100000
DTEND;TZID=America/New_York:20260822T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008058-1787392800-1787421600@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-08-22/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260822T100000
DTEND;TZID=America/New_York:20270904T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011445-1787392800-1820077200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-22/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260823T100000
DTEND;TZID=America/New_York:20270905T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011446-1787479200-1820163600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-23/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T100000
DTEND;TZID=America/New_York:20270906T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011447-1787565600-1820250000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-24/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260825T100000
DTEND;TZID=America/New_York:20260825T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008059-1787652000-1787680800@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-08-25/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260825T100000
DTEND;TZID=America/New_York:20270907T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011448-1787652000-1820336400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-25/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T100000
DTEND;TZID=America/New_York:20260826T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008060-1787738400-1787767200@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-08-26/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T100000
DTEND;TZID=America/New_York:20270908T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011449-1787738400-1820422800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-26/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260827T100000
DTEND;TZID=America/New_York:20260827T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008061-1787824800-1787853600@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-08-27/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260827T100000
DTEND;TZID=America/New_York:20270909T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011450-1787824800-1820509200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-27/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260828T100000
DTEND;TZID=America/New_York:20260828T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008062-1787911200-1787940000@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-08-28/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
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DTSTART;TZID=America/New_York:20260828T100000
DTEND;TZID=America/New_York:20270910T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011451-1787911200-1820595600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-28/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260829T100000
DTEND;TZID=America/New_York:20260829T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008063-1787997600-1788026400@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-08-29/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260829T100000
DTEND;TZID=America/New_York:20270911T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011452-1787997600-1820682000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-29/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260830T100000
DTEND;TZID=America/New_York:20270912T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011453-1788084000-1820768400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-30/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260831T100000
DTEND;TZID=America/New_York:20270913T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011454-1788170400-1820854800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-08-31/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260901T100000
DTEND;TZID=America/New_York:20260901T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008064-1788256800-1788285600@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-09-01/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260901T100000
DTEND;TZID=America/New_York:20270914T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011455-1788256800-1820941200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-01/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260902T100000
DTEND;TZID=America/New_York:20260902T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008065-1788343200-1788372000@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-09-02/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
GEO:42.351814;-71.0752073
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260902T100000
DTEND;TZID=America/New_York:20270915T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011456-1788343200-1821027600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-02/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Fine Arts Boston 465 Huntington Ave Boston MA 02115 United States;X-APPLE-RADIUS=500;X-TITLE=465 Huntington Ave:geo:-71.0939642,42.339383
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260903T100000
DTEND;TZID=America/New_York:20260903T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008066-1788429600-1788458400@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-09-03/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Family Heritage Experience Newbury Street 97 Boston Massachusetts 02116 United States;X-APPLE-RADIUS=500;X-TITLE=Newbury Street 97:geo:-71.0752073,42.351814
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260903T100000
DTEND;TZID=America/New_York:20270916T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011457-1788429600-1821114000@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-03/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260904T100000
DTEND;TZID=America/New_York:20260904T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008067-1788516000-1788544800@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-09-04/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
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END:VEVENT
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DTSTART;TZID=America/New_York:20260904T100000
DTEND;TZID=America/New_York:20270917T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011458-1788516000-1821200400@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-04/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260905T100000
DTEND;TZID=America/New_York:20260905T180000
DTSTAMP:20260612T175557
CREATED:20260409T212114Z
LAST-MODIFIED:20260409T212114Z
UID:10008068-1788602400-1788631200@massachusetts250.org
SUMMARY:Patriots of Color Exhibition
DESCRIPTION:Patriots of Color\, a new exhibit in the Family Heritage Experience at American Ancestors\, sheds light on the overlooked histories of Black\, Native\, and multiracial men and women who fought\, labored\, and led in the struggle for American independence across all thirteen colonies. Through documents\, personal narratives\, and digital interactives\, the exhibition uncovers the courage and resilience of those whose contributions helped shape a new nation\, even as they continued to confront inequality and enslavement. \nBridging past and present\, Patriots of Color highlights the voices of descendants who are reclaiming these stories today—connecting revolutionary ideals of freedom and justice to the ongoing pursuit of equality in America. \nEntrance to the exhibit is included in admission to the Family Heritage Experience and can be purchased either in person or online.
URL:https://massachusetts250.org/event/patriots-of-color-exhibition/2026-09-05/
LOCATION:Family Heritage Experience\, Newbury Street 97\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Black History,Exhibit,Indigenous History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/04/Patriots-of-Color-MA250.jpg
ORGANIZER;CN="American Ancestors":MAILTO:Advancement@americanancestors.org
GEO:42.351814;-71.0752073
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260905T100000
DTEND;TZID=America/New_York:20270918T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011459-1788602400-1821286800@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-05/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260906T100000
DTEND;TZID=America/New_York:20270919T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011460-1788688800-1821373200@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-06/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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DTSTART;TZID=America/New_York:20260907T100000
DTEND;TZID=America/New_York:20270920T170000
DTSTAMP:20260612T175557
CREATED:20260601T210551Z
LAST-MODIFIED:20260601T210551Z
UID:10011461-1788775200-1821459600@massachusetts250.org
SUMMARY:America at 250 at the MFA
DESCRIPTION:A silver bowl. 17-foot-wide painted room divider. A charismatic silversmith considering his craft. A towering mahogany desk and bookcase. Certain paintings\, sculptures\, decorative arts\, and works on paper from the MFA’s Art of the Americas art collection\, along with the artists who created them\, played a pivotal role in shaping the early history of the United States. Today\, as we approach 250 years since the country’s founding\, they likewise have a unique ability to recount and reflect that history while also inviting us to reconsider it. \nCoinciding with the 250th anniversary of American Independence\, the MFA is reimagining its 18th-century galleries on level one of the Art of the Americas Wing for the first time since they opened in 2010. The new display\, which opens in June 2026\, brings together works from across the Americas—integrating Native and non-native\, North\, South\, and Central American\, and Caribbean art—and explores how artists have contributed to\, or in some cases resisted\, ideas of nationhood and identity. Visitors can immerse themselves in a range of stories and experiences\, discovering the interconnectedness of the Americas and its history\, institutions\, and people. \nGilbert Stuart’s unfinished portrait of George Washington (1796)—the foundational image of the nation’s first president in the public imagination—offers viewers a prescient reminder that democracy is constant work in progress. An early piece of American protest art\, Paul Revere’s Sons of Liberty Bowl (1768) honors a group of Massachusetts rebels who paved the way for the Revolution. A ceramic jar (1857) by the enslaved potter and poet David Drake exemplifies literacy as an act of resistance in the decades before the Civil War. Thomas Sully drew on artistic traditions of heroism for The Passage of the Delaware (1819)\, which portrays George Washington in a dramatic scene of bravery. Meanwhile\, a recently acquired work by Alan Michelson\, a Mohawk member of Six Nations of the Grand River\, offers a contemporary critique of Washington\, who was known to the Mohawk Nation as “Town Destroyer.” These and the many other works on view reveal a past in dialogue with the present and propose endless possibilities for assessing history as we look ahead to the future.
URL:https://massachusetts250.org/event/america-at-250-at-the-mfa/2026-09-07/
LOCATION:Museum of Fine Arts\, Boston\, 465 Huntington Ave\, Boston\, MA\, 02115\, United States
CATEGORIES:Black History,Exhibit,Indigenous History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://massachusetts250.org/wp-content/uploads/2026/06/SC480495-scaled.jpg
GEO:42.339383;-71.0939642
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